Hi, I'm an animation and video specialist based in Perth, Western Australia. I work across motion design, video editing, 2D/3D animation, VFX, and sound design to help brands and storytellers communicate in bold, distinctive, and memorable ways.

I’m currently part of the in-house creative team at Workhouse Advertising, where I collaborate with designers, writers, and producers to develop animated and video content for government and commercial clients alike. My role blends creative strategy and technical execution — from crafting storyboards and motion concepts to animating characters, editing timelines, and polishing final outputs.

Some of the organisations I’ve helped bring to life through animation include Rio Tinto, Department of Health, Department of Transport, and University of Queensland. Whether the brief is a public health message, a TVC, or an interactive rollout, I focus on creating work that’s visually sharp, narratively clear, and human at its core.

Before joining Workhouse, I cut my teeth as a freelancer — creating animated explainers, campaign content, and visual effects for a wide range of clients and collaborators. Highlights include contributing animation and VFX to “Hug the Sun,” a six-part dark comedy series by Aunty Donna and Haven’t You Done Well Productions, as well as writing, and producing VFX for the award winning short film Don't Talk About the Monster on the Roof.

My creative toolkit includes After Effects, Premiere Pro, Cinema 4D, and Moho, with a solid grounding in editing, compositing, lighting, character rigging, and audio integration. I have a strong technical handle on motion pipelines but I’m just as driven by the emotional beat of a scene or the rhythm of a well-timed cut. My goal is always to bring personality and clarity to whatever I touch.

In 2020, I completed AWARD School, where I sharpened my conceptual thinking and creative writing — skills I now carry into how I shape ideas visually and narratively. I’ve also worked across digital, social, and broadcast, which gives me a broad sense of how to tailor a message to its platform.

Outside of commercial work, I’m developing personal animation projects that explore themes of surrealism, comedy, and identity — and I’m always up for a good idea, a weird collaboration, or a new challenge. If you're after animation or video work that feels thoughtful, left-of-centre, or just better than a Canva template — I’d love to hear from you.